Tone Glow is now a newsletter!
This site will no longer be updated, but will stay up for posterity.
Features
Second Quarter Report 2019: J-Pop
Tone Glow Records
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Archives: News | Album Reviews
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Joshua Minsoo Kim
Founder, Editor-in-Chief
Mark Cutler
Staff Writer
Micha Cavaseno
Staff Writer
Ryo Miyauchi
Staff Writer
Samuel Mclemore
Staff Writer
Contributors:
Tara Hillegeist
Sean Johnson
Leah B. Levinson
Jared Redmond
Astrid Rose
Lucas Schleicher
A Closer Listen
All About Jazz
Bandcamp Daily: Ambient | Classical | Experimental
Boring Like A Drill
Brainwashed
Dusted Magazine
Fluid Radio
Free Jazz Blog
Honest Music for Dishonest Times
The Hum
Just Outside
The Log Journal
Musicworks
Noise Not Music
Noisy Bandcamp
Nowhere Street
Pitchfork
Point of Departure
The Quietus
Reddy Brown Objects
Sonic Field
Sound American
The Sound Projector
The Squid's Ear
Surround
Swill Radio
Tabs Out
Tiny Mix Tapes
Tone Shift
Vital Weekly
We Need No Swords
The Wire
Forced Exposure (US)
Squidco (US)
Downtown Music Gallery (US)
ErstDist (US)
and/OAR (US)
Careful Catalog (US)
American Damage (US)
Boomkat (UK)
Penultimate Press (UK)
Infinite Limits (UK)
Metamkine (France)
Soundohm (Italy)
A-Musik (Germany)
Staalplaat (Germany)
Fragment Factory (Germany)
Rumpsti Pumsti (Germany)
Ftarri (Japan)
Art-Into-Life (Japan)
Tone Glow is a music and film review publication based in Chicago, IL. Tone Glow's primary goal is to provide coverage of contemporary music and film, erring on the side of all things experimental. If you are an artist or record label owner who is interested in providing promotional material, feel free to contact Tone Glow via the email listed below. Those who are interested in writing for the site can do so by writing to the same email. All writers will be paid.
contact: toneglow@gmail.com