The UK-based Penultimate Press (run by Mark Harwood aka Astor) continues their ongoing retrospective/excavation of the neglected Danish Fluxus-aligned composer Henning Christiansen with two new archival releases sharing the distinction of being scores for films directed by his partner and collaborator Ursula Reuter Christiansen. The label’s back-catalogue—home to such luminaries as Graham Lambkin, Księżyc, Étant Donnés, and Áine O'Dwyer—points to a constellation of outré artists united, however tenuously, by an aesthetic departing from Christiansen himself: a sort of rustic, homespun, off-kilter style enmeshed within the soundscape of local folklore and ecology. It is therefore appropriate that Penultimate is taking up the task of bringing attention to this underappreciated composer and subsequently filling in a historical gap between the now-canonized Fluxus sound art of Nam June Paik et al. and the legion contemporary artists in its trajectory.